1858, Handstruck 5 parale black on white paper, broken frame under “A”, large margins, unused, fine. Signed Grobe

1858, Handstruck 40 parale blue on thin blueish paper, clearly cancelled FRANCO GALATZ, signed Kosack

1858, Handstruck 40 parale blue on thin white paper, good margins, clearly cancelled part FRANCO GALATZ in red, signed Bühler

1858, Handstruck 80 parale brown-red on thin white paper, wide margins, tied on piece clearly by framed "FRANCO / BERLAD" handstamp in red, signed Grobe and Heimbüchler BPP

1858, 80 parale pale red on thin yellowish wove paper, oily Impression, on top tiny thin and touched, otherwise full to wide margins, an unused example with large part original gum, still fine

1862, Handstruck 3 parale yellow on thin white paper, clearly cancelled FRANCO PIATRA, signed Köhler and Grobe

1864-65, six unaccepted designs for the Prince Cuza issue (commonly known as the ‘Duloz Essays’, as these pieces were designed by the French designer Pierre Edelestand Stanislas Dulos, who also designed the second Turkish stamp issue). 5 pa. in different colours on white paper, very different quality, mostly thin, Reinheimer Fig. 229

1865, Cuza 2 par. orange on vertically striped paper, well margins clear cancelled, signed Thier

1869, Prince Carol 15 b. red and 50 b. blue red with very clear cancellations Galati and Jsmail, both margins touched, otherwise fine

1871, Prince Carol 5 b. red and carmine, 10 b. yellow-orange and 25 b. brown, six used stamps, tiny faults

1872, Prince Carol 1½ b. Paris and Bukarest printings, 11 colour trial proofs on different papers, imperf block of four and one „Decoupage" proof bicoloured, imperf and part perf., fine group